The 4th day of summer

The 4th day of summer

 

 


Status: sold

Category: painting    Subject: woman     Mediums: acrylic paints, own technique

Materials: canvas     Style: art deco, contemporary, cubism, abstract, realism

Size: 120 H x 80 W x 2,5  [cm] / 47,2 H x 31,5 W x 1 [in]    Year: 2019


 Painting The 4th day of summer

‘The 4th day of summer’ is a one-off artwork by Ania Luk. A unique, emotional composition referring to the art deco painting, maintained in the current style, which combines cubism, abstraction and realism. There is a woman with short dark hair in the composition referring to earlier paintings from this series. The original color and composition creates an intriguing and elegant look.

As Claude Monet once said, a French painter, one of the founders and leading representatives of Impressionism:

“The richness I achieve comes from nature, the source of my inspiration.”

Painted on linen canvas with a slightly visible texture, own technique with the use of acrylic paints. There is no need to embed in a decorative frame, because the edges are linen, not covered with any color.

The painting ‘Pattern’ was painted by the painter graduated at the Academy of Fine Arts – Ania Luk. Signed at the front and back, with a certificate of authenticity, protected by a varnish in half-matte. Personalized hologram on the back of the linen canvas. This artwork fits perfectly with modern interiors. The leading colors – brown, red, gold, burgundy.

The fourth painting from the series “Days of summer”. Finished in June 2019, in December 2020 it joined a private collection in the EU.

Inspiration

Summer of 1928 or summer of 2018? Feminine beauty is timeless…

The 1st and the 4th day of summer by Ania Luk

Art Deco

The term “art deco” was created in 1968 by an English art historian Bevis Hillier in reference to the resurgent interest in art decoratif – characteristic trend that prevailed in the years 1909-1939, cultivating luxury and wealth. Manifested itself in many ways: in painting, graphics, fashion, jewelry, sculpture, textiles, interior design and architecture. It represented many design concepts that appeared approx. 1909 in Paris and developed over the next thirty years.

What distinguishes art deco style is combination of modern styles with artistic finish and richness of the materials used. In addition, art deco is a pastiche of many different styles, sometimes dissonant, which are united by the desire for modernity. In fine arts, nothing better brings out the language of art deco, than paintings of Tamara Lempicka.

“Art Deco for me except in its most crazed and attenuated forms, it’s jut a matter of taste.” William Gibson

Cubism

Cubism is an early 20th century avant-garde art movement that revolutionized European painting and sculpture. In addition, some people say that it’s the most influential art movement of the 20th century.

Noteworthy in cubist artworks, objects are rather analyzed, broken up and reassembled in an abstracted form. Instead of depicting objects from a single viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context. The most famous painters associated with the cubism movement are especially Georges Braque and Pablo Picasso.

“I happen to like Precisionism. It talks to me because I collect Cubism.” Leonard Lauder

Abstract Art

Most of all abstract art creates a composition which may exist with a degree of independence from visual references in the world. It was caused by the need of creation a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy going through the end of the 19th.

Finally abstraction indicates a departure from reality in depiction of imagery in art. Furthermore this departure from accurate representation can be slight, partial, or complete.

The precursors of abstractionism were: Wassily Kandinsky, Edward Munch.

“In the visual arts, particularly painting, I distrust all those abstractions, those artificial constructions. I have a very simple way of judging them: if I can do them, they are not art.” F. Sionil Jose

Contemporary art

It has set on in 1945, after the II World War and lasts till today. The foundation for the contemporary art was prepared by the Dadaists, who perceived the artist as the creator of the idea. New trends were born, such as abstract expressionism (in Europe- informel), action painting, color field painting, pop-art, op art, conceptual painting, street art, calligraphic painting and others.

The most famous artist are: Andy Warhol, Jackson Pollock, Roy Lichtenstein, Francis Bacon , Victor Vasarely.

In contemporary art there isn’t one aim or a point of view. It gives a heterogeneous and ambiguous glance at the contemporary world. Furthermore, there has always been a huge tendency to experiment and search for innovative language which would be consistent with the changing reality (photomontage, collage, manifesto, object, installation, happenings, video installation, performance). Sadly, today it seems that there are virtually no aesthetic or moral bounds in artistic expression.

“I stopped worrying about competition in contemporary art. It feels a little bit more pure. That’s where I am, one step back.” Takashi Murakami

Realism

Firstly, realism in the arts is the effort to represent subject matter truly, without artificiality. Secondly, it has been prevalent in the arts at many periods. It is in large part a matter of technique and training, and the avoidance of stylization. Thirdly, realistic paintings are mostly scenes from the life of ordinary people, painted with a simplified means of expression, of peaceful palette and composition.

Finally, the realism art movement in painting began in France in the 1850s. The realism painters rejected Romanticism, which had come to dominate literature and art, with roots in the late 18th century.

The most important artist of realism came from France – Gustave Courbet, Jean-François Millet, Honoré Daumier.

“I studied realism when I was in art school.” Peter Max

Acrylic painting

Painting technique using acrylic paints, which have a similar characteristic to oil paints. Acrylic paintings are as durable as oil paints.

The most important practical difference between acrylic paints and oil paints is the drying time. Acrylic paints are ideal for painters using sharp and firm brush movements. Mixing acrylic is more difficult than mixing oils just because acrylics are starting to dry quickly. With oils you can mix colors for many days. Resulting in a variety of color variations on which acrylics will not give you enough time. This slow process of drying oil can be seen as an advantage for some technicians. On the other hand, this lengthens the process of image formation.

Another advantage of acrylic is that it can be rinsed with water during work, no solvent to clean brushes. When dry, the paint layer is waterproof and can quickly overlap both hides and lacquers. Acrylic paint is durable, elastic, resistant to aging, does not turn yellow, does not crumble.

All these advantages contribute to the growing popularity of this painting medium among contemporary artists.

Note: Using images of Ania Luk’s paintings can only be done with the written agreement of the artist.

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